Most Popular Books of Iswar Chandra Vidyasagar are Sokuntola, Betal Panchabinsati, Kothamala, Akhyanmanjuri, Choritaboli, Neetibodh, Jibancharita, Kothamala etc. He also forced British to pass widow remarriage act (Source: Wikipedia). He also rationalized and simplified the Bengali alphabet and type, which had remained unchanged since Charles Wilkins and Panchanan Karmakar had cut the first (wooden) Bengali type in 1780. His efforts to simplify and modernize Bengali prose were significant. He was polymath and a key figure of the Bengal Renaissance. Ishwar Chandra Vidyasagar was a Indian Bengali Author, Translator, publisher, printer, entrepreneur, reformer and philanthropist. The book is a Text Book of Ishwar Chandra Vidyasagar for children to learn Bengali Langugage. Barnaparichay by Ishwar Chandra Vidyasagar is a Popular Bengali Book which is written by Ishwar Chandra Vidyasagar. This title was mainly given for his vast knowledge in all subjects which was compared to the vastness of the ocean. In Sanskrit, Vidya means knowledge or learning and Sagar means ocean or sea.
He received the title "Vidyasagar" ("Ocean of learning" or "Ocean of knowledge") from the Calcutta Sanskrit College (where he graduated), due to his excellent performance in Sanskrit studies and philosophy. Vidyasagar was a philosopher, academic, educator, writer, translator, printer, publisher, entrepreneur, reformer, and philanthropist. He received the title "Vidyasagar" ("Ocean of learning" Ishwar Chandra Vidyasagar (Bengali: ঈশ্বরচন্দ্র বিদ্যাসাগর Ishshor Chôndro Biddashagor 26 September 1820 – 29 July 1891), born Ishwar Chandra Bandopadhyay (Bengali: ঈশ্বরচন্দ্র বন্দ্যোপাধ্যায়, Ishshor Chôndro Bôndopaddhae), was an Indian Bengali polymath and a key figure of the Bengal Renaissance.
Ishwar Chandra Vidyasagar (Bengali: ঈশ্বরচন্দ্র বিদ্যাসাগর Ishshor Chôndro Biddashagor 26 September 1820 – 29 July 1891), born Ishwar Chandra Bandopadhyay (Bengali: ঈশ্বরচন্দ্র বন্দ্যোপাধ্যায়, Ishshor Chôndro Bôndopaddhae), was an Indian Bengali polymath and a key figure of the Bengal Renaissance.
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